Aliki Van der Kruijs and Jos Klarenbeek’s project Kadans 2.0 turns oceanographical data into an ever-changing weaving pattern that captures the motion of the sea.

Roberto Benavidez’s surreal, sensual and eerie forms expand ideas of what a piñata can be.

Jamie Wolfond curates a horological typology show, with the results showing the variety, complements and contradictions encompassed within contemporary design.

Anouska Samms’s new collection, Leftovers, is inspired by housing insecurity and living in close quarters.

Irenie Studio renovates an abandoned Victorian townhouse, turning it into an exhibition space and a winter market before handing it over to new owners.

Soraia Gomes Teixeira’s Touch Machine allows users to give and receive touch anonymously and investigate their relationship with physical contact. 

Sergio Mondragón’s exhibition El Listón Café turns a gallery into a Mexican American living room to celebrate the creativity of his community and his family.

Marco Campardo’s Live Edges collection features hand-carved lines inspired by doodles he made on his daughter’s magnetic board. 

Maharam’s new textile collection by fashion designer Sander Lak avoids recognisable patterns or images, and instead focuses on the sensory experience of colour.

Textile artist Mair Cook reimagined USM’s Haller system as a soft lamp for breastfeeding at night for The Aram Gallery’s Adaptations exhibition.