Edith van Berkel’s new collection of rugs for Maharam is rooted in traditional Nepalese textile production techniques, including weaving with nettle fibres.

Morag Myerscough and Tracey Neuls discuss colour and sustainability in aid of their collaboration on the DOT Morag trainer.

Lise Vester joins The Crit to discuss designing for hospice patients, drawing inspiration from CBT therapy, and creating lamps that evoke science fiction and fantasy.

Amélie Pichard and Maison&Objet’s up-and-coming studios meet the realities of modern life with multifunctional pieces, objects that evoke the natural world, and designs which balance technology with handcraft. 

Louise Bennetts blurs the past and present in designs that translate urban fabric into textile.

Disegno’s London Design Festival 2025 round up includes insertable objects, car boot sales, camping tents, decomposing packaging and much more. 

Studiomama’s new collection with Point Two Five uses perspectival sleights of hand to create jewellery imbued with humour and romance.

Benjamin Hubert, the founder of Layer design studio, joins The Crit to discuss moving away from personality-driven design, creating objects for pets, and his desire to do pro bono design work.

Dulwich Picture Gallery’s new ArtPlay pavilion, designed by Carmody Groarke and HoLD collective, creates spaces for rest and play inspired by the gallery’s architecture and collections.

A list of Disegno’s talks, launches and parties during the 2025 London Design Festival!

This year, half of the studios honoured in the September 2025 edition of Masion&Objet’s Rising Talents Awards are duos, a move which reflects the fair’s emphasis on collaboration and experimentation.

Tomoko Azumi, the founder of TNA Design Studio, joins The Crit to discuss the importance of sensitivity in design.

The Textiles Circularity Centre have developed a new method of repairing clothes using 3D printed bacterial cellulose, a material made out of textile waste.

How might we design for greater human happiness? The 2025 edition of Helsinki Design Week explores the potential for designing for joy and connection in an exhibition curated by Anniina Koivu.

In Disegno #38, Oli Stratford tries out Industrial Facility’s Powerbox, a portable battery for Herman Miller which enables nomadic working.

Dartmouth College’s new flexible performance venue The Warehouse is designed to enable everything from club nights to intimate listening parties.

Jun Rhee’s new Jollof rice bowl for Michelin-starred restaurant Akoko demonstrates his belief that ceramics should be used rather than displayed.

Jo Barnard, the founder of design agency Morrama and cofounder of climate-focused not-for-profit Design Declares, joins The Crit to discuss moving away from human-centred design.