In Disegno #38, design studio Folkform shared an ode to Sweden’s last Masonite factory.

Stephen Burks Man Made collaborated with wood veneer company ALPI to create The Lost Cloth Object, a speculative ceremonial site designed to resemble Kuba textiles from the Democratic Republic of Congo.

Liliana Ovalle visits the studio for a discussion about collaborating respectfully with artisans, balancing commercial design work with research, and her dream of making altars for the home.

Tessa Silva’s Smock collection pays homage to historically gendered labour practices by using hand-pleated fabric and techniques and materials typically found in kitchens.

Brown Office’s Ward 2045 CO2e Monitor is a speculative device installation that monitors and visualises carbon emissions from hospital wards. 

Our first guest of 2026 is Pentagram’s Jon Marshall, who discusses the pleasures of seemingly intractable design problems.

In Disegno #38, Helen Gonzalez Brown traces the digital legacies of Tamagotchis.

In Disegno #39, Rupal Rathore visits Studio Saar’s gaushala in Rajasthan, which was designed to house a native breed of cow.

Happy holidays from the Disegno team!

The Crit’s 2025 holiday episode is here, with Charlene Prempeh of A Vibe Called Tech reviewing not only her own career, but also festive season!

Emilie Palle Holm uses origami folds to create textiles that morph into different forms, colours and textures.

Spandana Gopal, founder of Tiipoi, visits the studio for a conversation about the representation of Indian design and craft to global audiences.

Rio Kobayashi mixes new and repurposed materials to create furniture that is both humorous and ceremonial.

Michael Anastassiades’s new chair for Fritz Hansen pays homage to the ancient Greek Klismos chair, and all of the 20th-century Danish designers who were inspired by its form.

Designer Dan Hu explains the ethos behind Even Realities’ G2 smart glasses, and how the typology connects to traditional spectacles.

Baguette Studio demystify industrial processes by making wax lamps using rotational moulding, a technique typically employed in plastics production, in front of their customers’ eyes.

Ab Rogers, exhibition designer for Wes Anderson: The Archives, joins The Crit for a discussion about design, healthcare, colour and welcoming children into architectural discourse.

Disegno is looking for contributions to our 41st issue, released during Milan Design Week in April 2026, which will be themed around ideas of “Experimentation” in design.