From Disegno #31, a roundtable interview with Herzog & de Meuron on the opening of M+, a Hong Kong museum in built on reclaimed land in a city at a political crossroads.

From Disegno #26, Attua Aparicio Torinos creates emoji plates out of discarded porcelain from Jingdezhen and glass remnants.

This week on Design Line, Design Shanghai is postponed amidst lockdowns, Thomas Heatherwick shocks the world with a tree-themed design, and Prince Charles backs a gas mask for cows.

Het Nieuwe Instituut and Disegno partner to run Design Drafts an open call for new design writing and writers.

From Disegno #26, the making of Matthias Winkler’s debut collection of non-binary boots made from deadstock material that includes old lederhosen.

Fresh lipstick and fat bacteria; Oli Stratford tours the studio of Shellworks, an experimental company making biodegradable beauty packaging.

This week on Design Line, the Playdate gaming console launches, a London landmark temporarily escapes demolition, and Netflix has a rocky first quarter.

Natalie Kane, Keiichi Matsuda and Florian Dussopt explore the design significance of the metaverse as part of a live event hosted at Molteni&C.

Weed’d head of design Simone Bonanni talks to Disegno about ceramic bongs and developing a made in Italy cannabis culture.

Crystal Bennes ventures to Gipsön, the mysterious island made of radioactive waste from the fertiliser industry that sits off the coast of Sweden.

This week on the Design Line we explore the demolition of the Nakagin Capsule Tower, Aric Chen taking on the London Design Biennale, and an app that makes web browsing more accessible.

Roland Lamb, founder of Roli and creator of the Seaboard Rise 2, sits down with Disegno to discuss the philosophy of designing new musical instruments.

Sophie Tolhurst talks to designer Matty Bovan about fitting photos, the less glamorous yet more revealing behind-the-scenes images of creation in process.

This week on The Design Line we look at a new Lego campus, an incubator for Black designers, Twitter’s new billionaire majority shareholder, and much more.

The Crit brings you everything you need to know about design in March 2022.

From Disegno #30, Peter Kapos reviews the Vitra Design Museum exhibition and book, German Design 1949-1989, and asks if romanticising the past poses a risk in the present.

A roundtable exploring whether challenging the way that design treats plants help to shift our perceptions of materials, value, resources and equity?

This week on The Design Line, the Eames Institute of Infinite Curiosity launches, a SCI-Arc panel goes wrong, The Bartlett gets a new director, Dyson raises eyebrows with its invention, a row over biopiracy at the UN, and three new museums for Doha.