Jasper Morrison’s Raami project for Finnish design brand Iittala prompts consideration of the history of informal dining and convivial tableware.

Natalie Kane, Keiichi Matsuda and Florian Dussopt explore the design significance of the metaverse as part of a live event hosted at Molteni&C.

Roland Lamb, founder of Roli and creator of the Seaboard Rise 2, sits down with Disegno to discuss the philosophy of designing new musical instruments.

From Disegno #25, Tamar Shafrir goes beyond the banal, circle-heavy interfaces of period-tracking apps to examine the profitable industry of harvesting fertility data.

Sony’s Hirotaka Tako and Philip Rose tell Disegno how industrial design is moving beyond plastic with the help of rice husks, bamboo and glowing digital fungi.

Michael David Mitchell wonders if the Snoo, a robotic crib designed by Yves Behar, is the solution to the alienation and difficulty of bringing up a baby in modern America.

Disegno speaks to fashion designer Mary Katrantzou about pushing the envelope for colour and pattern with her postage stamp butterfly tile collaboration with Villeroy & Boch.

As a new display of Bethany Williams’s work opens at London’s Design Museum, we revisit our interview with the designer from 2020 about working in fashion during lockdown.

Poet Richard Osmond explores in verse a design project from Goldsmiths’ Interaction Research studio: sunglasses for puffins.

Glenn Adamson and Sarah Archer explore the changing cultural significance of the colour pink, accompanied by an assortment of rose imagery, shot by Theresa Marx at Berlin’s Terrassenhaus.

The Portal Tables project at Stanley Picker Gallery, Kingston University, sees The Decorators explore commensality, with a series of inflatable furniture that invites humans and microbes to dine together.

Disegno speaks to Danielle Dean about Amazon (Proxy), a multimedia installation that has Amazon Mechanical Turk workers retell the story of Henry Ford’s failed plantation in the Amazon.

Designer Max Lamb shares a series of objects made from Portland limestone and reclaimed wood, created for a modernist church in London.

Disegno speaks to Mac Collins about receiving the Design Museum’s inaugural Ralph Saltzman Prize and his hope to plot a non-linear route through the discipline.