Designer Max Lamb shares a series of objects made from Portland limestone and reclaimed wood, created for a modernist church in London.

Jeremy Myerson looks at the changing landscape for design for the elderly through the eclectic and imaginative contributions to the 19 Chairs project.

Yinka Ilori’s What God Has Joined Together, Let No Man Put Asunder is the headline acquisition for the Museum of London’s new display of craft in the capital.

A first edition of the Aryton collection, made from reclaimed teak sourced from Imperial College’s old workbenches, will be sold to raise money for the Goldfinger Academy.