Poet Richard Osmond explores in verse a design project from Goldsmiths’ Interaction Research studio: sunglasses for puffins.

Glenn Adamson and Sarah Archer explore the changing cultural significance of the colour pink, accompanied by an assortment of rose imagery, shot by Theresa Marx at Berlin’s Terrassenhaus.

The Portal Tables project at Stanley Picker Gallery, Kingston University, sees The Decorators explore commensality, with a series of inflatable furniture that invites humans and microbes to dine together.

Disegno speaks to Danielle Dean about Amazon (Proxy), a multimedia installation that has Amazon Mechanical Turk workers retell the story of Henry Ford’s failed plantation in the Amazon.

Front dives into the history of the mirror, with a collection for Galerie Kreo that explores its material and cultural resonances.

The Crit welcomes new years’ both Gregorian and Lunar with dicussions around the values and vices of NFTs, and the covid-induced design fair calendar summer crunch.

Disegno goes on a Netflix binge and asks, are we in charge of the viewing algorithms or are they in charge of us?

Designer Max Lamb shares a series of objects made from Portland limestone and reclaimed wood, created for a modernist church in London.

Disegno speaks to Mac Collins about receiving the Design Museum’s inaugural Ralph Saltzman Prize and his hope to plot a non-linear route through the discipline.

Andrés Reisinger talks to Francesca Anderson about his latest digital design, Winter House, and why he believes reluctant designers should embrace the metaverse.

Disegno delves into the world of lean web design, asking whether there is anything the discipline can do to curb online’s rapacious thirst for energy.

As he prepares to open a new clay performance and exhibition at 100 Bishopsgate, artist Anton Alvarez speaks to Disegno about his method.

Alison Sinkewicz explores how a series of controversial artworks from Steven Shearer revealed Vancouver’s toxic mixture of rapacious development, public art, and drug overdoses.

Studio Weiki Somers does the design time warp for The Roaring Twenties, an exhibition at Museum Kranenburgh in The Netherlands that remixes objects from the past and the present.

Disegno discovers the original pioneer of DIY and the secrets of the Soviet space race at Vitra’s exhibition Here We Are! Women in Design 1900 – Today.

Felix Chabluk Smith explores the Bourse de Commerce in Paris, reimagined and restored by architect Tadao Ando and designers Ronan and Ewan Bouroullec.

Alexandra Daisy Ginsberg talks about surrendering control, designing for other species, and digital gardens as part of her new project: Pollinator Pathmaker.

Kristina Rapacki explores the history of vaccine hesitancy and asks how graphic design could communicate more effectively with the public to combat online misinformation about immunisation from Covid-19.