Studio Weiki Somers does the design time warp for The Roaring Twenties, an exhibition at Museum Kranenburgh in The Netherlands that remixes objects from the past and the present.

Disegno discovers the original pioneer of DIY and the secrets of the Soviet space race at Vitra’s exhibition Here We Are! Women in Design 1900 – Today.

Alexandra Daisy Ginsberg talks about surrendering control, designing for other species, and digital gardens as part of her new project: Pollinator Pathmaker.

Kristina Rapacki explores the history of vaccine hesitancy and asks how graphic design could communicate more effectively with the public to combat online misinformation about immunisation from Covid-19.

From logo to lounge chair, Magnus Englund charts the creation of Jasper Morrison’s single-piece plywood furniture through the history of Isokon Plus.

To celebrate the 80th anniversary of the Eames Office, the practice has launched a new edition of Charles and Ray Eames’s groundbreaking 1943 Molded Plywood Sculpture. To mark the occasion, Disegno sat down with the designers’ grandson, Eames Demetrios, to discuss the sculpture’s significance to their practice.

As the NHS prepares to roll out the IUB Ballerine, Helen Brown explores the uncomfortable history of design for contraceptive intrauterine devices.

A celebration of Iittala’s 140th anniversary explores the supernatural tales, magic, and witchcraft that haunt the history of Finnish glassblowing.

Niall McLaughlin Architects’s timber library for Magdalene College, Cambridge, has won the Wood Awards’ 2021 Gold Award.

After the V&A’s U-turn, Glenn Adamson explains how museums have got themselves in a muddle when it comes to chronological order.

From Disegno #11, dancer Adrien Dantou gets comfortable in Hieronymous, designer Konstantin Grcic’s series of experimental seating structures.

Designer Ineke Hans has teamed up with furniture newcomer Circuform to relaunch her injection-moulded REX chair as a closed loop product made from recycled plastic.

Disegno’s roundup from the 2021 London Design Festival.

A data sculpture made out of old bank statements by Pentagram’s Giorgia Lupi puts America’s income inequality into stark relief.

Norman Foster has explained his logic behind continuing to design airports during the climate crisis, citing the potential of geoengineering technologies.

London’s Design Museum has put out a call for entries for its Entrepreneurs Hub – an eight-week accelerator programme intended to aid design-led startups.

A first edition of the Aryton collection, made from reclaimed teak sourced from Imperial College’s old workbenches, will be sold to raise money for the Goldfinger Academy.

The Bell chair sees Konstantin Grcic reflect on the importance of clear information and rigid constraints to the design process.