Roland Lamb, founder of Roli and creator of the Seaboard Rise 2, sits down with Disegno to discuss the philosophy of designing new musical instruments.

Sophie Tolhurst talks to designer Matty Bovan about fitting photos, the less glamorous yet more revealing behind-the-scenes images of creation in process.

This week on The Design Line we look at a new Lego campus, an incubator for Black designers, Twitter’s new billionaire majority shareholder, and much more.

The Crit brings you everything you need to know about design in March 2022.

From Disegno #30, Peter Kapos reviews the Vitra Design Museum exhibition and book, German Design 1949-1989, and asks if romanticising the past poses a risk in the present.

A roundtable exploring whether challenging the way that design treats plants help to shift our perceptions of materials, value, resources and equity?

This week on The Design Line, the Eames Institute of Infinite Curiosity launches, a SCI-Arc panel goes wrong, The Bartlett gets a new director, Dyson raises eyebrows with its invention, a row over biopiracy at the UN, and three new museums for Doha.

Joe Lloyd reviews the return of Maison&Objet design fair, as an unseasonal heatwave bathes Paris in sunshine and a distinctly bon vivant atmosphere.

Disegno’s 32nd print edition is now available, featuring stories about Matrix, Hannah Beachler, Stefan Diez, the Nagakin Capsule Tower, the chawls of Mumbai, and much more.

Academic and pole dancer Carolina Are the connections between OnlyFans' attempt to design out porn and the draconian legislation trying to cleanse the internet.

A week in design brings news of the death of Stephen E. Wilhite, the creator of GIFs; the discovery of microplastics in blood; a long belated shortlist for the directorship of the Architectural Association; and much more.

A recreation of Ettore Sottsass’s 1960s Casa Lana in the Triennale Milano offers a compelling portrait of the designer mid-career.

Disegno meets with MSCHF to talk how product design can be performance art, and whether a discipline entwined with commerce can still offer consumerist satire.

A new exhibition at Sven-Harrys Konstmuseum looks at the work of interior architect Åke Axelsson and how his 20th- and 21st-century furniture designs and architecture anticipated the need for responsible, sustainable design.

Diébédo Francis Kéré wins the Pritzker Prize; Frida Escobedo claims a plum commission from the Met; and Maximilian Davis takes the top job at Salvatore Ferragamo in this week’s the Design Line.

Disegno explores the architectural pleasures of a ski chalet, shot out of season.

Yuri Suzuki shares Easy Vinyl Maker, the only affordable record cutter on the market.

From Disegno #25, Tamar Shafrir goes beyond the banal, circle-heavy interfaces of period-tracking apps to examine the profitable industry of harvesting fertility data.