For Design Reviewed #1, Oli Stratford swelters through the heat in Bali to review The Desa Potato Head resort’s zero waste strategy.

Khorshed Deboo takes stock of the hand-painted multilingual signs of Mumbai vanishing due to policy change for Design Reviewed #1.

Amelia Abraham sniffs out Bompas & Parr’s luxury poppers Excalibur XO and the mainstreaming of queer nightlife culture for Design Reviewed #1.

For Design Reviewed #1, Vic Parsons reflects on their years using chest binders and examines the design history – and future – of gender-affirming garments.

Helen Gonzalez Brown reviews the Apple Watch Ultra and grapples with anxiety, mortality, and the cult of wellness for Design Reviewed #1.

Disegno meets the avant garde designers creating seaweed couture at Reykjavik’s DesignMarch 2023.

First published in Disegno #10 to mark Milan Design Week, Hella Jongerius, Paola Antonelli, Patricia Urquiola the late Alessandro Mendini – and many more – share their oral histories of the city.

Jasper Morrison’s Raami project for Finnish design brand Iittala prompts consideration of the history of informal dining and convivial tableware.

Swedish design studio Form Us With Love has developed a powder-to-liquid soap to cut down on plastic waste.

A summer of collaboration between designers, potters and artists at Driving Creek Railway and Potteries on New Zealand’s Coromandel peninsula.

From Disegno #22, Justin Donnelly unpacks the science behind super-cute furniture that makes your subconscious squee.

Johanna Agerman Ross travels to Burgundy to interview designer Erwan Bouroullec at La Grange, the rural retreat that’s transforming his practice.

Sophie Tolhurst reviews Weird Sensation Feels Good, and asks what gets sanitised when an internet phenomena is embraced by traditional design institutions.

Disegno reveals the secrets of Forward, Nike’s years-long confidential research project culminating in a new material made from plastic bottles.

How architectural workers in the UK and US are unionising to resist the industry’s toxic culture of overwork and underpay.

From Autun to Foshun, Brendan Cormier traces a century of manufacturing Xavier Pauchard’s ubiquitous Tolix Chaise A.

As major institutions put on exhibitions curating utopian visions for the future, Zara Arshad enquires as to whether they have grappled fully with their colonial pasts.

Less Gesamtkunstwerk and more 3D-simulated catalogue, the first Muji-branded hotel in Shenzhen offers Brendan Cormier a hollow experience.