Design highlights
Stories
Triennale Milano’s 24th International Exhibition explores economic, social, biological and environmental inequalities through the lens of architecture and design.
Ben and Oscar Wilson celebrate 20 years of their design studio, Wilson Brothers, with a new sound system design and behind-the-scenes photos of their practice.
Gunjan Gupta collaborates with artisans to create designs that embody the orderly chaos of day to day life in India.
Curators Marketa Uhlirova and Dal Chodha discuss the new edition of the Fashion in Film Festival, whose Grounded theme tackles fashion, the body, and their entanglements with nature
Do Ho Suh’s replicas of his former homes explore the role of sentimentality in architecture and city planning.
Disegno is looking for contributions to our 40th issue, released in autumn 2025, which will be themed around ideas of “Freedom” in design.
Map Project Office leads a public panel talk exploring design’s potential to better reflect the complexity of a world undergoing rapid technological, social, political and environmental change.
Nelly Ben Hayoun-Stépanian joins The Crit to discuss the role of optimism and imagination in critical design.
Aliki Van der Kruijs and Jos Klarenbeek’s project Kadans 2.0 turns oceanographical data into an ever-changing weaving pattern that captures the motion of the sea.
Alexandra Midal, curator of Ljubljana’s 28th Biennial of Design, discusses the events themes of flowers, concealed codes, and cunning in design.
Roberto Benavidez’s surreal, sensual and eerie forms expand ideas of what a piñata can be.
Jamie Wolfond curates a horological typology show, with the results showing the variety, complements and contradictions encompassed within contemporary design.
Anouska Samms’s new collection, Leftovers, is inspired by housing insecurity and living in close quarters.
Jay Osgerby joins The Crit to discuss designing public projects that are symbolic, ephemeral and site specific.
Irenie Studio renovates an abandoned Victorian townhouse, turning it into an exhibition space and a winter market before handing it over to new owners.
Soraia Gomes Teixeira’s Touch Machine allows users to give and receive touch anonymously and investigate their relationship with physical contact.
Andu Masebo joins The Crit to discuss designing objects that tell stories about their own creation.
Sergio Mondragón’s exhibition El Listón Café turns a gallery into a Mexican American living room to celebrate the creativity of his community and his family.
In Disegno #38, Christien Meindertsma and Dzek make Flaxwood, a form of linoleum which celebrates the material’s natural ingredients and proudly preserves scuffs and smells.
In Disegno #38, architect Yui Tezuka reflects on the childhood home her father designed and the influence it has had on her current practice.
Luke Pearson joins The Crit to discuss recalibrating spaces through furniture and design.
Marco Campardo’s Live Edges collection features hand-carved lines inspired by doodles he made on his daughter’s magnetic board.
Maharam’s new textile collection by fashion designer Sander Lak avoids recognisable patterns or images, and instead focuses on the sensory experience of colour.
Ilse Crawford joins The Crit to discuss creating healthy systems and understanding the psychology and physiology of space.
In Disegno #38, Malika Leiper and Najha Zigbi-Johnson reflect on Stephen Burks Man Made’s Ancestors series, which uses design as a form of spiritual armour.
Yuri Suzuki joins The Crit to discuss his interest in using sound design to shape human interactions and public spaces.
Faye Toogood’s guest of honour installation at the January 2025 edition of Maison & Objet is a personal manifesto for embracing the emotional and sensual aspects of her work.
Trent Jansen joins The Crit to discuss his interest in design as a form of anthropology and social commentary, through collaborating with indigenous artists to make works exploring Australia’s history and culture.
Unfold design studio reflects on the waffle as a symbol of Belgian national identity by creating a stool that is held together solely using waffle-shaped glass.