Seven prototypes for living through the climate crisis get taken for a test drive at Driving the Human’s festival in Berlin.

Evi Hall reflects on Cabine, Inga Sempé’s standing mirror for Ariake that’s produced on different continents for a more resilient supply chain.

Disegno explores Supermodels, an exhibition from Piercy&Company that highlights the pleasures of architectural model making.

We’re excited to announce the launch of Design Reviewed, a new biannual publication from the team behind Disegno.

BIG’s enclosure at Copenhagen Zoo prompts Kristina Rapacki to reflect on the political power of the panda.

As major institutions put on exhibitions curating utopian visions for the future, Zara Arshad enquires as to whether they have grappled fully with their colonial pasts.

Italian designer Stefano Giovannoni makes subtle updates to Laufen’s Ilbagnoalessi bathroom set.

1970s feminist architecture collective Matrix tell curator Viviane Stappmanns how they made space for women in design in this roundtable interview.

Brazilian designer Fernando Campana, one half of the Campana Brothers, has died at the age of 61.

The latest episode of The Crit is out, looking back on design news in October.

Disegno speaks with Vincent Grégoire of NellyRodi, the agency tasked with setting the theme and creative direction of the Maison&Objet trade fair.

MoMA curator Paola Antonelli on collecting code and their new exhibition, Never Alone: Video Games and Other Interactive Design.

Members of All in Awe, the co-operative non-profit studio founded by Eva Feldkamp, gather for a roundtable discussion on the importance of altruism in design.

Melting sugar machetes tell the colonial history of La Réunion in the work of designer Yassine Ben Abdallah, the winner of the 2022 Gijs Bakker award.

Less Gesamtkunstwerk and more 3D-simulated catalogue, the first Muji-branded hotel in Shenzhen offers Brendan Cormier a hollow experience.

What will the Anthropocene leave behind? From Disegno 33, Lara Chapman unearths the fossils of the future.

Silicon Valley’s tech moguls designed their apps to be addictive – now they’re offering ways to wean ourselves off them. But can you ever design a perfect digital detox?

The making of sand-cast aluminium chairs, designed by Moritz Schmid and Ville Kokkonen, using 3D-printed moulds by a family-run foundry in Switzerland.