Holes in the House uses repeated deconstruction and reconstruction as a new model for Tokyo’s housing.

The members of Formafantasma come together to discuss Oltre Terra, their exploration of the history of sheep, and how interspecies relationships are fertile territory for design.

Olorunfemi Adewuyi explores the forgotten art of Nigeria’s modernist architecture.

For Disegno #36, Amal Alhaag spoke with designer Yassine Ben Abdallah about his practice, working with institutions and letting objects die.

Studio Saar crafts a climate-sensitive community space for Udaipur.

Ableton pushes the industrial design of musical instruments.

Polaroid’s new camera prompts reflection on changing standards around the speed of image creation.

Ligne Roset’s celebrated Togo sofa appears in Raine Allen-Miller’s Rye Lane for a series of lessons about integrity, honesty, and the need to grow a backbone.

What do luxury glassware and Shrek have in common? This story draws unlikely comparisons to explore ideas of luxury, preconceptions and who is given a place at the proverbial table.

Corinne Quin explores the curious phenomenon of online sizegivers.

A story of windows, Ukraine and architectural reuse in conflict zones.

Casio is luring lapsed piano players back to the piano with a coat of yellow.

Tetsuo Mukai draws comparisons between Greek classicism and Disney’s House of Mouse (aka Walt Disney World).

Alexandra Hakim and Beit Collective craft slices of relief for Lebanon.

Hansgrohe and Lovehoney join forces to make a business case for pleasure through industrial bathroom fittings.

A flashlight with many functions and lessons embedded into its charming form by Ambessa Play in collaboration with Jon Marshall of Pentagram.

Adam Nathaniel Furman explains the challenges they faced when their Glowbules lighting collection began to be ripped off.

A fairground ball inspires Ayzit Bostan’s collection of sparkling bags made from material leftovers.