The Crit #14: Jay Osgerby
What do designers see as their biggest triumphs and most challenging setbacks? The Crit, Disegno’s regular editorial podcast, has the answers!
Each fortnight, Disegno’s editor-in-chief Oli Stratford invites a leading designer to reflect on their career. Our guest will tell us what worked best; what failed; what pushed their career to new heights; what feedback most shaped their practice; and what they feel needs to be redesigned.
At the end of each episode, to complete their crit, they’ll be asked to give themselves a grade for their career to date: fail, pass, commendation or distinction.
It’s a design-school crit, delivered every fortnight! Subscribe to the show here, or sign up wherever you get your podcasts from.
Episode #14: Jay Osgerby
For our fourteenth episode of The Crit we welcomed designer Jay Osgerby into the studio for a discussion about designing public projects that are symbolic, ephemeral and site specific.
Informed by his multidisciplinary education, Osgerby has cofounded industrial design studio Barber Osgerby, architecture and interior design company Universal Design Studio, and industrial design consultancy Map Project Office, whose work often focuses on design’s intersection with technology.
Across his career, Osgerby has worked on illustrious projects such as designing the torch for London’s 2012 Olympics, a chair for Oxford University's Bodleian Library, and the Tip Ton chair for Vitra, which tilts forwards to create a more ergonomic and engaging seat for educational and office environments.
Listen to the episode to hear Osgerby review his career to date, from winning the Olympic torch commission to designing a chair beloved by fidgeters.
Show Notes: Jay Osgerby
Best design: Double Space
Worst design: Everything he designed while studying architecture at the Royal College of Art
Most successful design: Olympic Torch
Most impactful feedback: People writing to him to express how much they loved the Tip Ton chair
Dream design: A permanent outdoor sculpture or installation
This episode of The Crit was recorded at KEF Music Gallery London.
The Crit’s graphics were created by Leonhard Rothmoser.
The Crit’s music was created by Yuri Suzuki and Team Suzuki.